GE: Literature This course is designed for teachers pursuing an MA in English who want to achieve an advanced knowledge of Shakespeare. Instructor: Katherine Borland This is the official unofficial subreddit for the Boston University community. Instructor: Christa Teston GE: Cultures and Ideas, ENGLISH-2280: The English Bible Class discussions will provide a rich and safe environment for you to explore and experiment with the consequences of humans' relationships with digital media, while studio days will afford hands-on guidance in leveraging digital media for the purpose of protest and activism. Authors will include: Edgar Allen Poe, Alan Moore, Truman Capote, Vincent Bugliosi, Janet Malcolm and James Ellroy. As an artist, Shakespeare's medium was language - words, sentences, metaphors, puns and allusions. Our weekly class work will be a mix of synchronous and asynchronous discussion, short writing assignments, and guided discovery. GE: Cultures and Ideas. OSU Off-Campus Housing Listing | Hometeam Properties Management Properties for rent near Ohio State Main Campus in Columbus, OH You will learn to describe and analyze the structure of English sentences. Instructor: Lee Martin Our class will begin with a study of documentary as a text form, an art form and as a genre. Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience. This class is about the pleasure of poetry and the poetry of pleasure in Renaissance England. GE: Literature, English 2261: Introduction to Fiction Instructor: Cathy Ryan In this gateway course, we will take our cue from one of George Orwell’s famous lines: “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.” Over the course of the semester, our weekly readings, discussions and informal exercises will work to annihilate old patterns of complacent reading—leaving in their place the analytical skills and rhetorical strategies you need to establish your own critical/original perspective on literary texts. This class explores the shifting canon of early U.S. literature and the colonial literatures from which it emerged. Along the way we will study changes in print history, including the tools and techniques of making and reproducing graphic images, as well as methods for engaging with both traditional and online archives dedicated to recovering and preserving this history. Assignments will include two short critical papers, a midterm test and a final exam. The master schedule is maintained by University Registrar and includes information about Department of English courses offered across all of our campuses. Instructor: Staff We will study major literary modes such as the Romantic lyric, the Gothic novel, the dramatic monologue, World War I poetry, postcolonial narrative, and the Bildungsroman (or “coming-of-age novel”). Instructor: Jacob Bauer English 4565: Advanced Fiction Writing Introduction to the analysis of popular culture texts. Experience English 3405 (10): Special Topics in Professional Communication In this course we will interrogate and resist standards of beauty, able-bodiedness, and able-mindedness. We will also examine the development of film technology and style during the 1940s and 50s, thinking about phenomena like the rise of Technicolor and widescreen formats and the emergence of film noir. This course introduces students to the basic concepts and tools of "classical" narrative theory and analysis, in four general areas: the underlying structure of story; the reordering of story-events in the plot; the production of a story-world (narrative time and space); and the representation of selves (narrators, speakers, perceivers, minds). Instructors: Elizabeth Renker We'll be reading graphic memoir and fiction about illness, recovery and the landscapes in between, from Justin Green's BINKY BROWN (1972) to John Porcellino's HOSPITAL SUITE (2014) - as well as readings in comics theory, narrative medicine, and criticism. Instructor: Hannibal Hamlin Special topics focus on particular aspects of the genre; advanced techniques are explored. Everybody knows that Dylan is a pivotal figure in the history of American popular music, but is he a poet? The Oxford English Dictionary credits Shakespeare with introducing more words into the English language than any other person ever, including "dwindle," "bedroom," "bloodstained," "anchovy," "skim milk" and "foul-mouthed." Literary works will include Shakespeare’s play Hamlet, Dickens’ novel Great Expectations, the poems of Elizabeth Bishop and Anne Carson’s weird whatever-it-is The Autobiography of Red. Swordfights. ENGLISH-4150: Cultures of Professional Writing GE: Writing and Communication—Level 1, English 1110.03: First-Year English Composition Instructor: Frank Donoghue English 4575: Special Topics in Literary Forms and Themes Examine writing in various workplaces. GE: Writing and Communication (Level Two), English 2463: Introduction to Video Games Analysis How is a poem built? "; "When you don't have modern technologies, how do you create special effects? We will read novels by the likes of Octavia Butler, Jewelle Gómez, Rainbow Rowell, Emma Donoghue, Michael Cunningham, Perry Moore, Poppy Z. Brite and others. Instructors: Elizabeth Renker And we will study the partisan divides (especially over Federal authority, slavery and public finance) that shaped the first decade of the nation. A semester long exploration of the literary nature of evil, horror, rebellion and subversion through the recurring satanic metaphor in texts ranging from Bulgakov's The Master and Margarita, to Milton's Paradise Lost and Mignola's Hellboy. In this course, we will explore media from all over the world, using it to understand how culture is expressed through film, literature, comics and more. Instructors: Staff English 2260H: Introduction to Poetry Experience. *Rather than upholding the cliché that “oil and water don’t mix,” this course explores how oil and water have long been intertwined in Indian Country. We will concentrate on methods of reading literary texts for the purpose of writing about how they convene readers to appreciate their form as literature. English 4586: Studies in American Indian Literature and Culture Did you know that your Fitbit was a published author? Instructor: Margaret Price Requirements will include weekly online quizzes, short papers, and a final exam. English 4580: Special Topics in LGBTQ Literatures and Cultures — Reading Race and Sexuality This seminar explores queer and transgender cultural strategies for movement building from their moments of emergence in the 1960s through their continual re-imagining in response to changing conditions and state and social efforts to target, police and assimilate lesbian, gay, bisexual and transgender (LGBT) people by the twenty-first century. From genre blending to structural innovation, unconventional subject matter to non-standard logic, we will pursue and embrace that which is often seen as strange, taboo, uncanny or queer, trying to understand how these stories work in relation to the normative conventions of fiction. We will approach these and other questions by reading work from before the United States was a nation until its division during the Civil War. Students will engage complex aspects of the literary publishing landscape as writers, readers and editors. Instructor: David Riede How do I become an effective peer reviewer and how do I revise my own work? In this course, students will examine and hone their individual authorial voices through discussion of short stories, novel excerpts and flash fiction by a diverse set of classic and contemporary writers. Assess different "models" of understanding disability - social, medical, cultural, etc. English 3468: Special Topics in Intermediate Creative Nonfiction Writing Henry VIII is possibly England's most notorious and recognizable ruler, enshrined in popular lore for marrying six times and beheading two of his wives. This class will teach you to think about thinking. This will ultimately equip students with the skills to more critically understand speaking and writing style, including "good writing" and products designed to encourage it, such as usage handbooks. Instructor: Zoe Thompson Instructor: Molly Rideout We'll read the Graphic Medicine Manifesto, some other work on comics theory, and some other work in narrative theory. Although Shakespeare is undeniably now the most famous playwright from early modern England, that was not always the case. Prereq: 1110.01 (110.01). For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. ENGLISH-3305: Technical Writing The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise Lost, Pilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myself to Morrison’s Song of Solomon. Press J to jump to the feed. But the popular notion is wrong. 554 sqft. At the end of the term, students will verbally present their research during our in-class Colloquium. Through engagement with community partners, students refine skills in research, analysis and composition; students synthesize information, create arguments about discursive/visual/cultural artifacts and reflect on the literacy and life-history narratives of Black Columbus. GE: Diversity (Social Diversity in the U.S.), ENGLISH-2367.01H: Language, Identity and Culture in the U.S. Tentative assignments: two papers, 3-5 pages each; two papers, 5-7 pages each; a critical research exercise; regular reading quizzes; and engaged class participation. Each student will present two pieces of creative nonfiction for workshop discussion. Topic varies. GE: Cultures and Ideas. GE: Literature, ENGLISH-2367.01: Language, Identity and Culture in the U.S. English 3467S: Issues and Methods in Tutoring Writing : Spider-Man: Into the Spider-Verse (2018); Jill Thompson's Wonder Woman: The True Amazon (2016); George Miller et al. We’ll investigate the boundaries of genre—fiction, nonfiction and poetry—in these compressed forms, which makes this a great class for writers of all genres who are looking to experiment with what can be done in a small space. This class will examine these various faces of Wilde—his comedy, his sexuality, his celebrity, his individualism, his avant-gardism. Most of this folklore research is what is called participatory research, based on collaborations with community members. GE: Writing and Communication—Level 1, English 1110.01 (13, 39, 48): First-Year English Composition ENGLISH-3304: Business and Professional Writing It will also empower students to answer such questions long after the class is over, by equipping them with intellectual concepts: call and response, masking and signifyin(g). Your community partnership affords you exposure to the complexity of organizational communication and nonprofit labor—exposure you may not otherwise have were you confined only to the classroom. *Oscar Wilde is many things to many people. Our investigation of literary responses and influences will include attention to such literary genres, trends and movements as the short story, the emergence of new forms of poetry, realism and its variants, modernism and postmodernism. English 3405 (10): Special Topics in Professional Communication — Technical Editing This class will explore a range of types of workplace writing. Requirements: I have designed this class to address student concerns about GE classes more generally. Throughout the course we will read examples of academic comics theory and criticism. ENGLISH-2265: Introductory Fiction Writing Requirements include two essays, a midterm exam, a final exam, regular attendance and active participation. Our texts will cover the Romantic, Victorian, modern and postcolonial periods, as well a bit of the twenty-first century. This course will investigate the invention of celebrity (and celebrities) over the course of the eighteenth century, generously defined. English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy. And these sites serve many purposes: promoting events, fostering communal interaction, hosting public resources, facilitating services and, most importantly, representing the organizations themselves. Other readings will include influential poetry by Wordsworth, Coleridge, Tennyson, Browning, the Rossettis, Hardy, Eliot, Thomas and others; and samplings of fiction by such authors as Dickens, Woolf, Conrad and Rushdie. GE: Diversity (Global Studies), English 2202 (10): Selected Works of British Literature — 1800 to Present Experience There will be a free day in Dublin. These stories show us something about the complexity of human existence by concentrating on characters and their conflicting wants, needs, fears, hopes, etc. One recurrent thread in our syllabus will be shows created by and starring women, actively bringing previously-marginalized voices, perspectives and bodies to the small screen. Advanced workshop in the writing of creative nonfiction. GE: Writing and Communication—Level 1, English 1110.02: First-Year English Composition Mixing media was a thing long before the digital age. Instructor: Christopher Santantasio This course gives students an opportunity to explore the ways in which African Americans have made home and made citizenship from scratch. English 4565: Advanced Fiction Writing Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. English 4559: Introduction to Narrative and Narrative Theory Literature and Law can be applied towards the English major and Human Rights minor; many students from other departments also take it to fulfill upper-level course requirements, so the course provides an excellent opportunity to meet students from a wide variety of fields who are interested in law and perhaps thinking about Law School. English 2367.08: The US Experience: Writing About Video Games Texts: The Norton Shakespeare, ed. GE: Literature, English 2261 (70): Introduction to Fiction Instructor: Sarah Neville In this course, we will read what is arguably one of the best, most exciting, most contentious and most challenging poems in English literature: John Milton's Paradise Lost. Information sessions will be on October 28 at 10am and November 10 at 4pm via Zoom. Texts: Octavia Butler, Parable of the Sower; Jhumpa Lahiri, selected stories; E.M. Forster, Howard's End, Assignments: 4 critical essays (including 1 required revision/resubmission), occasional quizzes, regular discussion participation, English 3405: Special Topics in Professional Communication—Writing (about) Science. Required of English majors. GE: Literature, English 3364: Special Topics in Pop Culture English 3398 (30): Methods for the Study of Literature — The Text, The Critic and the World Instructor: Sarah Neville We'll also cover the cultural and historical phenomena that inform our texts, including the French Revolution, slavery and abolitionism, industrialization, imperialism, debates over gender roles, the rise of scientific values, the two world wars and decolonization. This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. Emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. 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